Bookish s01e04 Deadly Nitrate 2 Subtitles

00:00:06,730 --> 00:00:08,You mean everything to me.

00:00:09,490 --> 00:00:11,What the hell was that?

00:00:12,210 --> 00:00:14,Love, Lord in London, scene 28, take 3.

00:00:15,950 --> 00:00:18,I hope we did the right thing, letting
those people into the lane.

00:00:21,110 --> 00:00:22,Filmstruck girl, Inspector.

00:00:22,650 --> 00:00:25,Dead. I've shut down filming for the
time being.

00:00:25,450 --> 00:00:26,What do we know about this film?

00:00:27,150 --> 00:00:28,Stuart Howard.

00:00:28,510 --> 00:00:31,He and Sandra have bound their careers
together.

00:00:31,310 --> 00:00:32,The nation's sweetheart.

00:00:32,570 --> 00:00:35,Then there's the Honourable Jesse
McKendrick. You're the director?

00:00:36,280 --> 00:00:37,And the writer. What about Billy?

00:00:38,620 --> 00:00:40,Someone is trying to kill me. Who?

00:00:43,400 --> 00:00:44,Drink me.

00:00:44,860 --> 00:00:45,Drop it. It's poison.

00:00:46,640 --> 00:00:48,Can you think of anyone who might want
to kill you?

00:00:49,340 --> 00:00:50,Take your ruddy pick.

00:00:50,660 --> 00:00:51,When are we going to tell him?

00:00:52,600 --> 00:00:53,Not yet.

00:00:56,660 --> 00:00:57,It's one of the extras.

00:01:00,740 --> 00:01:01,Marina Bean.

00:01:10,250 --> 00:01:11,Rolling, Sandra.

00:01:11,570 --> 00:01:14,And action.

00:01:21,610 --> 00:01:23,Oh, no, God, I'm so sorry, Jesse.

00:01:24,790 --> 00:01:26,Can I beg ten minutes?

00:01:26,590 --> 00:01:27,Ziggy will sort me out.

00:01:29,330 --> 00:01:30,Cut that.

00:01:32,390 --> 00:01:33,Scene 49, take nine.

00:01:43,289 --> 00:01:44,Kill the sound, please.

00:01:45,810 --> 00:01:47,Can we stop the film and take a proper
look?

00:01:47,970 --> 00:01:49,No, it would burn in the projector.

00:01:50,290 --> 00:01:53,I think the difference is pretty
obvious. You'll see in just a moment.

00:01:55,530 --> 00:01:57,Here comes the post.

00:02:00,630 --> 00:02:03,Oh, I see what you mean. You've lost six
inches.

00:02:03,530 --> 00:02:05,Just when I found it there, I went off
for a gasp.

00:02:06,570 --> 00:02:11,So... Between takes eight and nine,
Marina Bean gets her screen break.

00:02:11,870 --> 00:02:14,An hour later, is that right? Well,
certainly no more than two.

00:02:15,070 --> 00:02:16,She's on the cutting room floor.

00:02:16,570 --> 00:02:19,Well, the bottom of the basement steps.

00:02:20,370 --> 00:02:21,I know who he is.

00:02:22,130 --> 00:02:23,The postman.

00:02:24,570 --> 00:02:25,You do?

00:02:27,030 --> 00:02:28,He was down the line yesterday.

00:02:29,870 --> 00:02:31,I see him in the yard just now.

00:02:32,590 --> 00:02:33,Would you be so kind?

00:02:39,660 --> 00:02:42,Yep. Good. He hit that step with
tremendous force.

00:02:44,000 --> 00:02:45,Too hard for an accident.

00:02:45,640 --> 00:02:47,Did she fall?

00:02:48,120 --> 00:02:50,No. Or was she pushed?

00:03:58,250 --> 00:04:00,I think John Mills has lovely hair.

00:04:00,610 --> 00:04:02,And his nails always look so neat.

00:04:04,410 --> 00:04:06,Riveting stuff, this, Mrs B.

00:04:07,010 --> 00:04:09,Well, we'll think there's something
here.

00:04:09,510 --> 00:04:10,A clue.

00:04:10,430 --> 00:04:11,We like those.

00:04:12,150 --> 00:04:14,Many names coming up a lot. Regular
correspondence.

00:04:16,269 --> 00:04:19,Name and address supplied is a very
reliable contributor.

00:04:21,450 --> 00:04:25,I try to give myself a mole like
Margaret Lockwood.

00:04:25,920 --> 00:04:28,And now Mum says I look like a tart.

00:04:34,440 --> 00:04:35,Hang on.

00:04:37,020 --> 00:04:39,I've seen a letter from this one before.

00:04:40,520 --> 00:04:43,Signed, Basilisk.

00:04:48,560 --> 00:04:50,If only we could step through the
screen.

00:04:53,520 --> 00:04:56,Romance for the pictures is really
getting to, isn't it? It's not that.

00:04:57,460 --> 00:05:01,Beyond the door, behind that set,
there's a flight of stairs where I think

00:05:01,380 --> 00:05:03,Noreena Bean is already dead.

00:05:08,520 --> 00:05:10,Do you think this is linked to the
poison girl?

00:05:13,280 --> 00:05:14,Special delivery.

00:05:15,120 --> 00:05:16,Your postman.

00:05:17,080 --> 00:05:18,Bart Masterson.

00:05:19,080 --> 00:05:20,Kurt Masterson.

00:05:22,250 --> 00:05:24,Normally, I do landlords.

00:05:25,770 --> 00:05:32,I've seen a glass pushed in a bloke's
face, and I've laughed. See?

00:05:33,910 --> 00:05:34,Very good.

00:05:35,270 --> 00:05:37,Robert Newton should watch his back.

00:05:37,470 --> 00:05:42,But you're not auditioning now, Mr
Masterson. We're investigating the

00:05:42,510 --> 00:05:46,unfortunate death that took place here
last night. Second one on this

00:05:46,090 --> 00:05:50,production, in fact, after Miss Barbara
Markham. And two looks like

00:05:50,050 --> 00:05:51,carelessness.

00:05:52,200 --> 00:05:53,Whose, though?

00:05:53,860 --> 00:05:54,Are you the police?

00:05:55,240 --> 00:05:56,Inspector Bliss is the police.

00:05:56,840 --> 00:05:59,Hello. I'm just helping them. With their
inquiry?

00:05:59,960 --> 00:06:01,The fiddly bits.

00:06:01,800 --> 00:06:04,Now, Kurt Masterson, not your real name.

00:06:05,680 --> 00:06:06,How did you know?

00:06:07,680 --> 00:06:10,Went home early last night, Mr
Masterson. Why?

00:06:10,700 --> 00:06:12,Well, I was made an offer I couldn't
refuse, wasn't I?

00:06:12,920 --> 00:06:16,I knew the lady, Noreena Bean. I read
her column. I always do.

00:06:17,080 --> 00:06:20,She gave me a fiver, just to borrow the
uniform, mine. Said she would go on for

00:06:20,240 --> 00:06:24,me and no -one would clock it. Now, why
would she want to pose as you?

00:06:25,120 --> 00:06:26,She said she was writing a story.

00:06:28,060 --> 00:06:31,The poisonous secret at the heart of
Loveless in London.

00:06:32,080 --> 00:06:33,Lovelorn.

00:06:33,480 --> 00:06:35,Something like that. She wasn't
specific.

00:06:36,140 --> 00:06:37,But she said she needed one last bit of
proof.

00:06:38,480 --> 00:06:40,I didn't think nothing of it. I was
barely in the shot.

00:06:41,480 --> 00:06:45,You tell a lot of stories to the press,
do you, Mr Masterson, about actors here?

00:06:47,780 --> 00:06:52,No. Well, nothing nasty, just whether
they like mink or feathered or where

00:06:52,540 --> 00:06:54,drink. Or how much.

00:06:54,460 --> 00:06:56,All right, thank you. We'll come and get
a statement from you.

00:06:57,240 --> 00:06:58,That's it? That's it.

00:07:00,020 --> 00:07:01,I was a red herring before.

00:07:02,320 --> 00:07:06,One, half a one, that tapped his pipe
and looked all beady at me. But I'd

00:07:06,040 --> 00:07:09,done it. I was just in the wrong place
at the wrong time. All right, thank you.

00:07:12,020 --> 00:07:13,Why was she here, though, Noreena?

00:07:14,240 --> 00:07:16,Why did you have trouble bribing him and
putting on his costume?

00:07:16,960 --> 00:07:17,The extra security.

00:07:18,380 --> 00:07:21,She couldn't just hang around in the
lane, could she? I suppose she needed a

00:07:21,680 --> 00:07:22,disguise.

00:07:22,860 --> 00:07:24,The title of that article, though, eh?

00:07:25,360 --> 00:07:27,Maybe she was onto the Poisoner.

00:07:27,220 --> 00:07:28,So she had to go.

00:07:30,240 --> 00:07:31,What's that?

00:07:31,940 --> 00:07:32,Something I noticed.

00:07:33,880 --> 00:07:37,Backwards impression on Norena Bean's
hand in ink. It was something she was

00:07:37,800 --> 00:07:38,holding.

00:07:39,140 --> 00:07:43,Evidently she was sweating, whether from
the exertion of going up the stairs or

00:07:43,180 --> 00:07:44,the heavy costume.

00:07:45,200 --> 00:07:51,And reversed, it reads... Tywin.

00:07:52,540 --> 00:07:53,Tywin.

00:07:53,840 --> 00:07:55,Tywin. Twins.

00:07:56,560 --> 00:08:00,Hardly. More likely the fragment of two
words, wouldn't you say?

00:08:00,880 --> 00:08:02,I, uh, better get back to work.

00:08:03,240 --> 00:08:04,Work?

00:08:05,060 --> 00:08:06,I'm standing in for Stuart.

00:08:07,440 --> 00:08:08,It's not a profit trade, you know.

00:08:09,620 --> 00:08:10,Yeah.

00:08:11,260 --> 00:08:12,Like being a part -time detective.

00:08:17,720 --> 00:08:18,What's up with it?

00:08:25,020 --> 00:08:26,Hmm? Me.

00:08:29,280 --> 00:08:30,She's dead.

00:08:30,500 --> 00:08:31,You saw her.

00:08:32,679 --> 00:08:34,She was at the bottom of the stairs.

00:08:34,860 --> 00:08:36,Like a broken doll.

00:08:38,789 --> 00:08:43,I mean, she was awful, but still, how
awful.

00:08:47,530 --> 00:08:52,If it was murder, there'd be a lot of
suspects.

00:08:53,910 --> 00:08:55,Half the British film business.

00:08:55,550 --> 00:08:57,All of it. It's true.

00:08:57,590 --> 00:08:58,Everybody hated her.

00:09:00,150 --> 00:09:01,You hated her.

00:09:03,270 --> 00:09:05,What did you do last night?

00:09:07,370 --> 00:09:08,Had a drink with that boy.

00:09:08,790 --> 00:09:09,Nice kid.

00:09:10,310 --> 00:09:11,Went a bit...