The Quatermass Conclusion (1979) Movie Subtitles

1 00:00:06,917 --> 00:00:10,042 In that last quarter of the twentieth century... 2 00:00:10,459 --> 00:00:12,959 the whole world seemed to sicken. 3 00:00:13,959 --> 00:00:17,542 Civilised institutions, whether old or new, fell... 4 00:00:18,542 --> 00:00:22,459 as if some primal disorder was reasserting itself. 5 00:00:24,709 --> 00:00:26,751 And men asked themselves... 6 00:00:27,334 --> 00:00:29,209 "Why should this be?" 7 00:00:30,334 --> 00:00:33,001 [TAXI ENGINE IDLES] 8 00:00:33,626 --> 00:00:34,917 That's it. Come on - out. 9 00:00:34,959 --> 00:00:35,667 But we're not there. 10 00:00:35,709 --> 00:00:37,292 Look - I can't get no further. 11 00:00:37,584 --> 00:00:39,292 The studio's just down there - through the alleyway. 12 00:00:39,334 --> 00:00:40,042 You can walk it! 13 00:00:40,292 --> 00:00:41,542 I distinctly understood... 14 00:00:42,334 --> 00:00:43,334 Push off. 15 00:00:43,959 --> 00:00:44,792 Don't you want your fare? 16 00:00:44,793 --> 00:00:45,916 Where've you been, guv? 17 00:00:45,917 --> 00:00:48,459 No cash - all been paid for. Just get going. 18 00:00:53,626 --> 00:00:56,334 [THEME MUSIC BEGINS] 19 00:01:52,542 --> 00:01:54,542 [THEME MUSIC ENDS] 20 00:01:55,042 --> 00:01:57,042 [DRAMATIC MUSIC] 21 00:02:00,792 --> 00:02:01,792 Get out of my way. 22 00:02:02,167 --> 00:02:03,209 Certainly not. 23 00:02:06,626 --> 00:02:07,626 All right. 24 00:02:08,084 --> 00:02:08,917 You've g***t it. 25 00:02:09,042 --> 00:02:10,334 We've g***t you, old chap. 26 00:02:11,376 --> 00:02:12,751 What's he worth? 27 00:02:14,251 --> 00:02:16,459 Well, I'm not worth kidnapping, if that's what you want? 28 00:02:16,626 --> 00:02:18,626 That is for us to say. 29 00:02:33,126 --> 00:02:34,042 Take his teeth out. 30 00:02:34,042 --> 00:02:35,042 Mmmm. 31 00:02:35,834 --> 00:02:37,417 I say - they're his own! 32 00:02:37,459 --> 00:02:38,459 Well...? 33 00:02:39,209 --> 00:02:40,209 Righto. 34 00:02:41,626 --> 00:02:43,084 [SHOUTING AND GROANING] 35 00:02:45,501 --> 00:02:47,959 [SHOUTING] 36 00:02:48,917 --> 00:02:49,376 Look out! 37 00:02:49,584 --> 00:02:50,792 [CAR HORN BEEPING] 38 00:02:56,792 --> 00:02:57,542 [DOG BARKING] 39 00:02:57,667 --> 00:02:58,667 Go gettem, boy! 40 00:03:01,251 --> 00:03:02,251 Easy now. 41 00:03:02,417 --> 00:03:03,501 Have they gone? 42 00:03:03,667 --> 00:03:05,167 My dog's seeing them off. 43 00:03:05,209 --> 00:03:06,459 [WHISTLES] 44 00:03:06,667 --> 00:03:07,791 They were enjoying it. 45 00:03:07,792 --> 00:03:08,917 Yes, of course they were. 46 00:03:09,084 --> 00:03:10,084 Can you stand? 47 00:03:10,501 --> 00:03:11,584 Yes. 48 00:03:11,792 --> 00:03:12,792 That's better. 49 00:03:14,084 --> 00:03:15,084 Where do you live? 50 00:03:15,251 --> 00:03:15,626 What? 51 00:03:16,251 --> 00:03:18,209 PUPPY. Here, boy! 52 00:03:19,167 --> 00:03:20,334 Do you live around here? 53 00:03:20,584 --> 00:03:23,209 Er... No, I was, er... 54 00:03:23,542 --> 00:03:25,459 looking for the television studios. 55 00:03:26,792 --> 00:03:28,126 I'm supposed to be in a programme. 56 00:03:28,376 --> 00:03:29,376 So ** I. 57 00:03:30,542 --> 00:03:32,417 Maybe it's the same one. What's your name? 58 00:03:34,042 --> 00:03:35,459 Er... Quatermass. 59 00:03:36,709 --> 00:03:37,876 Well, I'm Joe Kapp. 60 00:03:39,334 --> 00:03:41,084 Yes, of course. Yes. Yes. 61 00:03:41,459 --> 00:03:44,792 Yes, they told me about you. How do you do? 62 00:03:46,709 --> 00:03:48,959 Oh. What a way to meet! 63 00:03:49,042 --> 00:03:52,042 [ALARM BELL RINGING] 64 00:03:58,126 --> 00:03:59,417 What do you want? 65 00:04:00,001 --> 00:04:02,251 There now, love. Won't 'ardly show. 66 00:04:02,542 --> 00:04:03,042 Thank you. 67 00:04:03,084 --> 00:04:05,000 Five minutes, studio. 68 00:04:05,001 --> 00:04:06,001 All right? 69 00:04:07,459 --> 00:04:08,542 You saved my life. 70 00:04:08,709 --> 00:04:09,958 Oh, hardly that, sir! 71 00:04:09,959 --> 00:04:11,876 Hm. I think you did. 72 00:04:12,584 --> 00:04:14,959 I simply had no idea. 73 00:04:15,501 --> 00:04:16,751 None at all. 74 00:04:18,334 --> 00:04:19,334 It's bad. 75 00:04:20,584 --> 00:04:21,626 They don't tell you. 76 00:04:23,876 --> 00:04:25,376 They're just bland about it. 77 00:04:25,751 --> 00:04:28,001 They call it "urban collapse", then it's nobody' s fault. 78 00:04:28,126 --> 00:04:31,084 Yes, but... the savagery. 79 00:04:31,334 --> 00:04:33,334 You should see Paris. Or Rotterdam. 80 00:04:34,292 --> 00:04:36,542 Little suburban streets with... 81 00:04:36,792 --> 00:04:38,542 with dead bodies. 82 00:04:39,209 --> 00:04:42,834 Huh. I'd never have believed it till I came down here this week. 83 00:04:43,167 --> 00:04:44,334 Where do you live? 84 00:04:45,042 --> 00:04:48,001 Quite out of all this. In a cottage, by a loch. 85 00:04:48,126 --> 00:04:49,501 In the West of Scotland. 86 00:04:49,709 --> 00:04:50,792 Oh, I don't... 87 00:04:51,376 --> 00:04:53,167 Oh, it's dreadful. It's dreadful. 88 00:04:53,251 --> 00:04:55,459 - Look, don't stay. - What? 89 00:04:55,792 --> 00:04:57,376 Go now, if you like. 90 00:04:57,834 --> 00:04:59,917 I'll help you. Try and... get you on a train. 91 00:05:00,167 --> 00:05:03,334 What, you mean, er... walk out on all this? 92 00:05:03,501 --> 00:05:05,376 Oh, they don't care. 93 00:05:05,751 --> 00:05:06,751 So why should you? 94 00:05:07,251 --> 00:05:11,167 Er, no, um... I'm looking for my granddaughter. 95 00:05:12,042 --> 00:05:13,402 Have you g***t the revised schedule? 96 00:05:13,501 --> 00:05:14,501 Yes. 97 00:05:15,376 --> 00:05:17,792 Now, Professor - Doctor Kapp, if you wouldn't mind. 98 00:05:18,209 --> 00:05:19,834 Yes, yes, of course. 99 00:05:20,667 --> 00:05:21,667 That's her. 100 00:05:22,209 --> 00:05:23,751 My daughter's daughter. 101 00:05:24,459 --> 00:05:26,542 Her parents were killed on an autobahn. 102 00:05:26,959 --> 00:05:29,167 She-she-she came to stay with me, but, er... 103 00:05:30,584 --> 00:05:31,959 then she ran away. 104 00:05:33,209 --> 00:05:34,251 Have you any children? 105 00:05:34,834 --> 00:05:36,876 Two. A lot younger. 106 00:05:37,292 --> 00:05:38,626 She was only sixteen. 107 00:05:39,542 --> 00:05:41,084 Do you know, they won't even list them? 108 00:05:41,292 --> 00:05:43,709 There are so many missing they... they've just given up. 109 00:05:44,167 --> 00:05:45,459 But I've... I've g***t to try. 110 00:05:45,834 --> 00:05:47,584 Anything. Anything at all. 111 00:05:48,376 --> 00:05:51,334 I mean, if you should ever... ever happen to, er... 112 00:05:51,751 --> 00:05:57,376 Er... please keep it, hmm? Her name's on the back. Hetty. Hetty Carson. 113 00:05:58,959 --> 00:05:59,709 I'll remember it. 114 00:05:59,834 --> 00:06:02,959 Yes, I'm... I'm afraid it's become quite an obsession. 115 00:06:03,917 --> 00:06:04,834 Forgive me, Dr Kapp. 116 00:06:04,917 --> 00:06:07,001 Oh, don't worry. I... I'd feel the same. 117 00:06:08,001 --> 00:06:10,167 Oh! I never even asked about your work. 118 00:06:10,292 --> 00:06:13,167 [DRAMATIC MUSIC WITH ASTRONAUT CHATTER] 119 00:06:14,042 --> 00:06:15,792 Stand by to take out grams. 120 00:06:15,959 --> 00:06:17,376 Fade music. 121 00:06:17,667 --> 00:06:19,126 [SPACE COMMS] Ah, roger - copy. 122 00:06:19,167 --> 00:06:20,334 [MARSHALL'S VOICE] And there it is. 123 00:06:20,376 --> 00:06:22,167 The Hands in Space Project. 124 00:06:22,376 --> 00:06:24,125 - Complete at last. - [COMMS] Roger. 125 00:06:24,126 --> 00:06:26,584 After all the long delays and disagreements... 126 00:06:26,959 --> 00:06:29,751 these Russian cosmonauts and American astronauts... 127 00:06:30,001 --> 00:06:32,459 are putting the final touches to their joint work. 128 00:06:33,084 --> 00:06:35,917 Orbiting 22,000 miles above our heads. 129 00:06:35,959 --> 00:06:37,583 And take Marshall. Good. 130 00:06:37,584 --> 00:06:39,376 It's just a few minutes now to the joint switch-on... 131 00:06:39,501 --> 00:06:41,834 by the Chairman of the Soviet Praesidium... 132 00:06:42,209 --> 00:06:44,042 and the President of the United States. 133 00:06:44,084 --> 00:06:46,250 And take Houston. Good. Well done. 134 00:06:46,251 --> 00:06:51,042 At NASA - Project Control - everything is calm, but busy, you can be sure. 135 00:06:51,459 --> 00:06:52,542 And back to Marshall. Good. 136 00:06:52,584 --> 00:06:53,251 Back to studio. 137 00:06:53,252 --> 00:06:55,533 - Meanwhile, let's grab a reaction from... - Five. Four... 138 00:06:55,626 --> 00:06:57,626 Corning to you any moment now, studio. 139 00:06:57,834 --> 00:06:59,126 Toby Gough. In London. 140 00:06:59,167 --> 00:07:01,209 And cut to one. Right, on you now. 141 00:07:01,376 --> 00:07:03,251 Well, thank you, Chuck. 142 00:07:04,209 --> 00:07:07,541 Now, we're certainly very excited, here in London, about this project. 143 00:07:07,542 --> 00:07:08,167 That's right - going in... 144 00:07:08,376 --> 00:07:10,709 And we're fortunate in having with us here tonight... 145 00:07:10,959 --> 00:07:12,501 two distinguished experts. 146 00:07:12,709 --> 00:07:16,542 First, I'm going to ask Dr Joseph Kapp, radio astronomer. 147 00:07:17,292 --> 00:07:20,792 Well, I suppose I'm sad. In this country we can only sit and watch. 148 00:07:20,917 --> 00:07:22,251 Hmm. You'd like to be up there? 149 00:07:22,542 --> 00:07:25,001 What, with all that apparatus? Oh, yes, of course. 150 00:07:25,417 --> 00:07:28,709 But now, a father figure of space research... 151 00:07:28,917 --> 00:07:30,292 Professor Bernard Quatermass. 152 00:07:30,501 --> 00:07:31,417 - And cut to two. - And two. 153 00:07:31,418 --> 00:07:36,626 Sir, after all the shocks and setbacks of your own career, what are your thoughts now? 154 00:07:36,959 --> 00:07:38,209 I'm ashamed. 155 00:07:38,334 --> 00:07:39,584 God! 156 00:07:39,626 --> 00:07:39,917 What? 157 00:07:40,126 --> 00:07:41,626 Well, I don't think...