SDJS-246_aisubs.app Movie Subtitles

0 00:00:00.000 --> 00:00:04.500 Made by: aisubs.app 1 00:00:19.380 --> 00:00:21.380 Thank you very much. 2 00:00:24.840 --> 00:00:26.840 When I was shooting on the set, 3 00:00:26.840 --> 00:00:28.840 the air conditioner was turned off, 4 00:00:28.840 --> 00:00:30.840 so the air was blocked. 5 00:00:30.840 --> 00:00:32.840 There were a lot of people. 6 00:00:52.420 --> 00:00:54.420 My name is Otoha Hasegawa, 7 00:00:54.420 --> 00:00:58.420 and I've been studying psychology in Tokyo. 8 00:00:58.420 --> 00:01:01.420 The reason I chose this company 9 00:01:01.420 --> 00:01:04.420 is that I've always liked adult content 10 00:01:04.420 --> 00:01:06.420 such as eromanga and AV. 11 00:01:06.420 --> 00:01:10.420 I thought I'd take advantage of what I was thinking in my head 12 00:01:10.420 --> 00:01:14.420 and try to get involved in the production. 13 00:01:15.420 --> 00:01:17.420 As an AV maker, 14 00:01:17.420 --> 00:01:20.420 the company has a production system, 15 00:01:20.420 --> 00:01:23.420 and I felt a great appeal to the point 16 00:01:23.420 --> 00:01:27.420 that I was shooting, editing, and selling 17 00:01:27.420 --> 00:01:32.420 the idea that I was the parent of the sea of ​​making 18 00:01:32.420 --> 00:01:34.420 and the parent of raising. 19 00:01:35.420 --> 00:01:38.420 I believe that it is my strength 20 00:01:38.420 --> 00:01:43.420 to be able to get along with anyone without being seen by others. 21 00:01:43.420 --> 00:01:50.420 I want to be an AD who can support shooting smoothly. 22 00:01:50.420 --> 00:01:55.420 And I want to be an AV director in the future. 23 00:02:10.060 --> 00:02:23.100 I saw it from the other side. 24 00:02:23.100 --> 00:02:24.100 Did you see it? 25 00:02:24.100 --> 00:02:25.100 It was too dark. 26 00:02:25.100 --> 00:02:26.100 It was too dark. 27 00:02:26.100 --> 00:02:28.100 It was hard. 28 00:02:28.100 --> 00:02:30.100 Especially the rest. 29 00:02:30.100 --> 00:02:33.100 Basically, it seems to be okay. 30 00:02:33.100 --> 00:02:36.100 If you don't see it, it's okay. 31 00:02:36.100 --> 00:02:38.100 Thank you for your hard work. 32 00:02:39.100 --> 00:02:41.100 Thank you for your hard work. 33 00:02:41.100 --> 00:02:43.100 Nice to meet you. 34 00:02:43.100 --> 00:02:45.100 My name is Otoha Hasegawa. 35 00:02:45.100 --> 00:02:48.100 Nice to meet you. 36 00:02:48.100 --> 00:02:49.100 Are you an intern? 37 00:02:49.100 --> 00:02:50.100 Yes. 38 00:02:50.100 --> 00:02:51.100 Nice to meet you. 39 00:02:51.100 --> 00:02:52.100 Nice to meet you. 40 00:02:52.100 --> 00:02:54.100 I'm director Otoha Hasegawa. 41 00:02:54.100 --> 00:02:55.100 Nice to meet you. 42 00:02:55.100 --> 00:02:57.100 Are you a college student? 43 00:02:57.100 --> 00:02:59.100 Yes, I'm a 4th grader in college. 44 00:02:59.100 --> 00:03:01.100 You seem to be serious. 45 00:03:01.100 --> 00:03:03.100 Yes, I'm serious. 46 00:03:03.100 --> 00:03:07.100 I'm going to be in charge of production this time. 47 00:03:07.100 --> 00:03:08.100 I think there are various things. 48 00:03:08.100 --> 00:03:09.100 Nice to meet you. 49 00:03:09.100 --> 00:03:12.100 Nice to meet you. 50 00:03:12.100 --> 00:03:17.100 Basically, there aren't many scenes this time. 51 00:03:17.100 --> 00:03:22.100 The content to be done is the preparation of the next location. 52 00:03:22.100 --> 00:03:25.100 It's preparation for the location. 53 00:03:25.100 --> 00:03:33.100 In addition to the script, there are small tools, costumes, and other things. 54 00:03:33.100 --> 00:03:36.100 There are various sets at the scene. 55 00:03:36.100 --> 00:03:40.100 I prepare them and look forward to the location on the same day. 56 00:03:40.100 --> 00:03:47.100 I'm going to talk to Izaki Sugimoto about that. 57 00:03:47.100 --> 00:03:49.100 You don't have to make any mistakes. 58 00:03:49.100 --> 00:03:50.100 Thank you very much. 59 00:03:50.100 --> 00:03:51.100 You can ask me anything. 60 00:03:51.100 --> 00:03:52.100 Nice to meet you. 61 00:03:52.100 --> 00:03:53.100 Nice to meet you. 62 00:03:53.100 --> 00:03:54.100 Nice to meet you. 63 00:03:54.100 --> 00:03:55.100 Nice to meet you. 64 00:03:55.100 --> 00:03:56.100 Please enjoy it. 65 00:03:56.100 --> 00:03:57.100 Thank you very much. 66 00:03:57.100 --> 00:03:58.100 Nice to meet you. 67 00:03:58.100 --> 00:03:59.100 Nice to meet you. 68 00:03:59.100 --> 00:04:00.100 Nice to meet you. 69 00:04:00.100 --> 00:04:01.100 Nice to meet you. 70 00:04:01.100 --> 00:04:02.100 Nice to meet you. 71 00:04:02.100 --> 00:04:03.100 Nice to meet you. 72 00:04:03.100 --> 00:04:06.100 Let's go over there. 73 00:04:06.100 --> 00:04:07.100 Excuse me. 74 00:04:07.100 --> 00:04:08.100 Excuse me. 75 00:04:08.100 --> 00:04:09.100 Excuse me. 76 00:04:23.040 --> 00:04:24.040 It's amazing. 77 00:04:24.040 --> 00:04:26.040 It's amazing. 78 00:04:29.610 --> 00:04:32.610 Please go to the edge firmly. 79 00:05:07.740 --> 00:05:08.740 Hello. 80 00:05:08.740 --> 00:05:09.740 Hello. 81 00:05:09.740 --> 00:05:10.740 Are you preparing? 82 00:05:10.740 --> 00:05:11.740 Yes. 83 00:05:11.740 --> 00:05:14.740 I'm checking the costumes now. 84 00:05:14.740 --> 00:05:17.700 Are you ready? 85 00:05:17.700 --> 00:05:18.700 Yes. 86 00:05:18.700 --> 00:05:19.700 It seems to be okay. 87 00:05:20.700 --> 00:05:23.700 Please sit there and listen to me. 88 00:05:23.700 --> 00:05:24.700 Okay. 89 00:05:25.700 --> 00:05:30.900 Please turn the camera. 90 00:05:30.900 --> 00:05:31.900 Okay. 91 00:05:32.900 --> 00:05:34.900 What are you going to do? 92 00:05:34.900 --> 00:05:39.900 I'm happy that everyone is kind to me. 93 00:05:39.900 --> 00:05:40.900 That's good. 94 00:05:40.900 --> 00:05:42.900 I have a favor to ask you. 95 00:05:42.900 --> 00:05:43.900 Yes. 96 00:05:43.900 --> 00:05:44.900 Please think about it. 97 00:05:44.900 --> 00:05:45.900 Please think about it. 98 00:05:45.900 --> 00:05:46.900 Please think about it. 99 00:05:46.900 --> 00:05:48.900 Please think about it. 100 00:05:51.900 --> 00:05:52.900 I see. 101 00:05:52.900 --> 00:05:53.900 I see. 102 00:05:55.900 --> 00:05:57.900 Please move this. 103 00:05:57.900 --> 00:05:59.900 Please move this. 104 00:05:59.900 --> 00:06:01.900 Please move this. 105 00:06:03.900 --> 00:06:05.900 I'm going to use a new toy. 106 00:06:05.900 --> 00:06:07.900 I see. 107 00:06:07.900 --> 00:06:12.900 I want to test it. 108 00:06:12.900 --> 00:06:16.900 I want to test it on the sweat side. 109 00:06:16.900 --> 00:06:18.900 I want to test it on the sweat side. 110 00:06:18.900 --> 00:06:23.880 Toy? 111 00:06:23.880 --> 00:06:28.880 I want you to practice the toy. 112 00:06:28.880 --> 00:06:36.880 Is it something I can actually use? 113 00:06:36.880 --> 00:06:37.880 Here. 114 00:06:37.880 --> 00:06:38.880 Here? 115 00:06:38.880 --> 00:06:40.880 I'm going to use it here. 116 00:06:40.880 --> 00:06:45.880 I'm going to check the sound and movement of the toy. 117 00:06:48.880 --> 00:06:53.920 It's normal. 118 00:06:53.920 --> 00:06:56.920 It's normal in the AD. 119 00:06:56.920 --> 00:06:59.920 I'm sure I'll do it even after I get in the car. 120 00:06:59.920 --> 00:07:07.920 Toys start the production at the VTUIT. 121 00:07:07.920 --> 00:07:14.920 It's hard to use because the toy was stopped. 122 00:07:14.920 --> 00:07:22.920 I want to adjust it in advance in the AD to make it easy to use. 123 00:07:22.920 --> 00:07:24.920 I do it quite often. 124 00:07:24.920 --> 00:07:26.920 I see. 125 00:07:26.920 --> 00:07:33.940 Thank you. 126 00:07:33.940 --> 00:07:42.440 I'm talking to someone. 127 00:07:42.440 --> 00:07:46.330 This is the new one. 128 00:07:48.330 --> 00:07:50.330 I want to do a test with this. 129 00:07:55.370 --> 00:07:57.370 With this, 130 00:07:57.370 --> 00:07:59.370 I actually take a camera 131 00:07:59.370 --> 00:08:07.110 and take a video. 132 00:08:07.110 --> 00:08:11.110 That's why I'm turning the camera. 133 00:08:11.110 --> 00:08:13.110 From now on, you can use this. 134 00:08:13.110 --> 00:08:15.110 Yes. 135 00:08:15.110 --> 00:08:17.110 It's a toy. 136 00:08:17.110 --> 00:08:19.110 Yes. 137 00:08:19.110 --> 00:08:21.110 You can use Hasegawa's body. 138 00:08:21.110 --> 00:08:25.450 Well... 139 00:08:25.450 --> 00:08:27.450 Well... 140 00:08:27.450 --> 00:08:32.100 What? 141 00:08:32.100 --> 00:08:34.100 Well... 142 00:08:34.100 --> 00:08:36.100 Are you against it? 143 00:08:36.100 --> 00:08:38.100 Yes, I'm sorry. 144 00:08:38.100 --> 00:08:40.100 I think you'll get used to it 145 00:08:40.100 --> 00:08:44.500 if you become an AD. 146 00:08:44.500 --> 00:08:46.500 Next year, 147 00:08:46.500 --> 00:08:48.500 you'll be a new graduate. 148 00:08:48.500 --> 00:08:50.500 Yes. 149 00:08:50.500 --> 00:08:52.500 I think you'll get used to it 150 00:08:52.500 --> 00:08:54.500 as soon as you enter the company. 151 00:08:54.500 --> 00:08:56.500 Do I actually use it? 152 00:08:56.500 --> 00:08:58.500 Yes, you do. 153 00:08:58.500 --> 00:09:00.500 Can I just move it here 154 00:09:00.500 --> 00:09:02.500 and check the movement? 155 00:09:02.500 --> 00:09:04.500 The sound when you enter 156 00:09:04.500 --> 00:09:06.500 and the movement 157 00:09:06.500 --> 00:09:08.500 are important. 158 00:09:08.500 --> 00:09:10.500 Even if you're a female AD. 159 00:09:10.500 --> 00:09:12.500 You don't have to do it as a male AD. 160 00:09:12.500 --> 00:09:14.500 You can use the position of a female AD 161 00:09:14.500 --> 00:09:16.500 and check the movement. 162 00:09:16.500 --> 00:09:18.500 Let's adjust that. 163 00:09:18.500 -->...