Tender comrade - Edward Dmytryk - 1943 Movie Subtitles

1 00:00:25,656 --> 00:00:30,288 CAPTIONING MADE POSSIBLE BY TURNER ENTERTAINMENT GROUP 2 00:01:25,371 --> 00:01:29,337 [MOZART'S SYMPHONY NO. 40 PLAYING] 3 00:01:32,670 --> 00:01:34,468 OH. 4 00:01:35,035 --> 00:01:37,402 GOOD NIGHT, DEAR. 5 00:01:44,731 --> 00:01:47,432 [MUSIC STOPS] 6 00:01:48,431 --> 00:01:50,896 [KNOCK ON DOOR] 7 00:01:50,896 --> 00:01:52,297 YES? 8 00:01:52,297 --> 00:01:54,929 [KNOCKING] 9 00:01:58,028 --> 00:01:59,928 YES? 10 00:02:03,661 --> 00:02:05,526 CHRIS! 11 00:02:05,526 --> 00:02:08,858 OH, CHRIS! 12 00:02:15,290 --> 00:02:16,889 OH, CHRIS, 13 00:02:16,889 --> 00:02:18,888 I CAN'T SAY ANYTHING! 14 00:02:18,888 --> 00:02:21,488 NEITHER CAN I. 15 00:02:41,348 --> 00:02:44,015 [SNIFFLING] 16 00:02:45,614 --> 00:02:47,014 SEEMS KIND OF... 17 00:02:47,014 --> 00:02:50,280 KIND OF FUNNY, DOESN'T IT? 18 00:02:50,280 --> 00:02:51,978 YEAH. 19 00:02:52,579 --> 00:02:55,710 AW, YOU POOR BABY. 20 00:03:02,476 --> 00:03:05,108 OH, JO, I'M HOME. 21 00:03:07,707 --> 00:03:10,140 IT'S GOOD TO BE HOME. 22 00:03:11,239 --> 00:03:16,338 IT'S NOT SO MUCH LIKE THE PLACE AT SHALE CITY. 23 00:03:16,338 --> 00:03:18,870 YOU'RE HERE... 24 00:03:18,870 --> 00:03:21,136 SO IT'S HOME. 25 00:03:21,136 --> 00:03:24,569 LET ME TAKE A LOOK AT YOU. 26 00:03:24,569 --> 00:03:27,169 SAME EYES... 27 00:03:27,169 --> 00:03:29,101 SAME NOSE... 28 00:03:29,101 --> 00:03:32,233 SAME FUNNY LITTLE MOUTH... 29 00:03:33,167 --> 00:03:35,732 SAME GIRL. 30 00:03:40,198 --> 00:03:42,430 OH, CHRIS... 31 00:03:43,597 --> 00:03:45,929 HOW LONG CAN YOU STAY? 32 00:03:45,929 --> 00:03:49,895 WE'RE LEAVING AT 6:30 IN THE MORNING. 33 00:03:50,694 --> 00:03:51,860 OUR OUTFIT'S GOING OVERSEAS. 34 00:03:51,860 --> 00:03:52,994 OH, CHRIS, WHERE? 35 00:03:52,994 --> 00:03:55,826 DON'T GET EXCITED. HOW DO I KNOW? 36 00:03:55,826 --> 00:03:58,192 ** I THE SECRETARY OF WAR? 37 00:03:58,192 --> 00:04:00,892 I ALWAYS SAID IT WOULDN'T HAPPEN, 38 00:04:00,892 --> 00:04:02,324 AND I KNEW IT WOULD. 39 00:04:02,324 --> 00:04:03,224 I KNEW IT WOULD! 40 00:04:03,224 --> 00:04:05,023 HEY, HEY, HEY! THIS IS NO FUNERAL. 41 00:04:05,023 --> 00:04:08,722 ME, YOUR HUSBAND, I'M HOME FOR THE NIGHT. 42 00:04:08,722 --> 00:04:10,322 I WANT A HOT BATH, 43 00:04:10,322 --> 00:04:12,388 A COLD DRINK, 44 00:04:12,388 --> 00:04:14,753 AND A KISS. 45 00:04:17,521 --> 00:04:18,620 AND I'LL HAVE THE BATH FIRST, 46 00:04:18,620 --> 00:04:21,751 ABOUT 75 DEGREES, AND MAKE IT SNAPPY. 47 00:04:21,751 --> 00:04:23,885 [GIGGLES] 48 00:04:26,084 --> 00:04:28,883 [RINGING] 49 00:04:30,782 --> 00:04:32,982 [RINGING STOPS] 50 00:04:43,346 --> 00:04:45,111 WAKE UP, CHRIS. 51 00:04:45,111 --> 00:04:47,145 [GRUMBLES] 52 00:04:47,145 --> 00:04:49,776 YOUR TRAIN LEAVES IN AN HOUR AND A HALF. 53 00:04:49,776 --> 00:04:53,143 IT'S TIME TO WAKE UP, CHRIS. 54 00:04:53,143 --> 00:04:54,209 HUH? 55 00:04:54,209 --> 00:04:56,941 [SINGING REVEILLE] 56 00:04:57,774 --> 00:05:00,441 OH, I MUST HAVE BEEN DREAMING. 57 00:05:00,441 --> 00:05:02,340 OH, I'LL BE RIGHT UP. 58 00:05:02,340 --> 00:05:05,072 HEY! CUT IT OUT! 59 00:05:05,072 --> 00:05:06,539 LET ME GO. 60 00:05:06,539 --> 00:05:07,705 LET ME GO! 61 00:05:07,705 --> 00:05:09,804 AFTER YOU GIVE ME A KISS. 62 00:05:09,804 --> 00:05:12,636 ALL RIGHT. 63 00:05:12,636 --> 00:05:14,537 MUSHY. 64 00:05:14,537 --> 00:05:16,369 HOW LONG YOU BEEN UP? 65 00:05:16,369 --> 00:05:17,702 SINCE 3:00. 66 00:05:17,702 --> 00:05:20,701 SLEPT IN THE CHAIR. 67 00:05:21,534 --> 00:05:22,833 WHAT WAS THE IDEA OF THAT? 68 00:05:22,833 --> 00:05:26,600 WELL, I EITHER HAD TO GET UP OR BE KICKED OUT. 69 00:05:26,600 --> 00:05:27,899 YOU'RE STILL AN AWFUL BED HOG. 70 00:05:27,899 --> 00:05:30,831 I THOUGHT THE ARMY WOULD CURE YOU OF THAT. 71 00:05:30,831 --> 00:05:32,131 BOY, OH, BOY. 72 00:05:32,131 --> 00:05:35,163 YOU KNOW WHAT I'M GOING TO DO AFTER THIS WAR IS OVER? 73 00:05:35,163 --> 00:05:36,230 NO, WHAT? 74 00:05:36,230 --> 00:05:39,129 I'M GOING TO CONCENTRATE ON BEING A CIVILIAN. 75 00:05:39,129 --> 00:05:42,328 I'M GONNA SLEEP EVERY MORNING TILL 10:00. 76 00:05:42,328 --> 00:05:45,427 I'M NEVER GONNA MOVE FROM ONE PLACE TO ANOTHER 77 00:05:45,427 --> 00:05:46,726 EXCEPTING ON WHEELS. 78 00:05:46,726 --> 00:05:49,658 WHAT ARE YOU LOOKING AT ME LIKE THAT FOR? 79 00:05:49,658 --> 00:05:50,825 NOTHING... 80 00:05:50,825 --> 00:05:53,724 EXCEPT OF ALL THE GUYS I COULD HAVE MARRIED... 81 00:05:53,724 --> 00:05:55,591 YEAH, SO WHAT? 82 00:05:55,591 --> 00:05:56,723 I'LL NEVER BE ABLE TO FIGURE OUT 83 00:05:56,723 --> 00:06:00,223 HOW I HAPPENED TO PICK OUT THE HOMELIEST ONE. 84 00:06:00,223 --> 00:06:01,022 OH. 85 00:06:01,022 --> 00:06:02,555 SO THAT'S THE KIND OF TALK 86 00:06:02,555 --> 00:06:05,154 A SOLDIER GETS ON HIS FURLOUGH, HUH? 87 00:06:05,154 --> 00:06:05,987 NOW, CHRIS-- 88 00:06:05,987 --> 00:06:07,720 HE GETS HIS MORALE UNDERMINED. 89 00:06:07,720 --> 00:06:08,986 NOW, CHRIS, DON'T YOU DARE! 90 00:06:08,986 --> 00:06:12,486 THIS IS GOING TO HURT ME MORE THAN YOU! 91 00:06:12,486 --> 00:06:13,818 [BOTH LAUGHING] 92 00:06:13,818 --> 00:06:16,184 [FLY BUZZING] 93 00:06:23,648 --> 00:06:27,148 BET I KNOW WHAT YOU'RE THINKING OF. 94 00:06:27,148 --> 00:06:28,314 WHAT? 95 00:06:28,314 --> 00:06:29,481 YOU WERE THINKING ABOUT THAT NOTE I WROTE YOU 96 00:06:29,481 --> 00:06:30,680 IN MR. HILL'S CHEMISTRY CLASS 97 00:06:30,680 --> 00:06:33,079 WHEN WE WERE SENIORS IN HIGH SCHOOL. 98 00:06:33,079 --> 00:06:33,879 WHA... 99 00:06:33,879 --> 00:06:36,078 ISN'T THAT RIGHT? 100 00:06:36,078 --> 00:06:36,945 YEAH. 101 00:06:36,945 --> 00:06:38,844 BUT--BUT HOW DID YOU KNOW? 102 00:06:38,844 --> 00:06:40,478 I REMEMBER THAT YOU WERE SITTING 103 00:06:40,478 --> 00:06:41,909 TWO ROWS AWAY FROM ME, 104 00:06:41,909 --> 00:06:42,776 AND I WROTE THE NOTE 105 00:06:42,776 --> 00:06:43,943 AND HANDED IT TO JANE WILKENSON, 106 00:06:43,943 --> 00:06:45,309 AND SHE HANDED IT TO YOU. 107 00:06:45,309 --> 00:06:48,042 THEN MR. HILL CAUGHT YOU JUST AS YOU WERE GOING TO OPEN IT, 108 00:06:48,042 --> 00:06:49,807 AND HE TOLD YOU TO STAND UP. 109 00:06:49,807 --> 00:06:50,907 SO YOU STOOD UP, 110 00:06:50,907 --> 00:06:53,840 AND HE TOLD YOU TO READ IT TO THE CLASS. 111 00:06:53,840 --> 00:06:55,206 AND SO YOU WAITED A MINUTE, 112 00:06:55,206 --> 00:06:56,972 THEN YOU JUST PUT IT IN YOUR MOUTH 113 00:06:56,972 --> 00:06:58,239 AND CHEWED IT UP AND SWALLOWED IT. 114 00:06:58,239 --> 00:07:01,472 AND THAT'S WHAT YOU WERE THINKING ABOUT. 115 00:07:01,472 --> 00:07:02,370 YEP. 116 00:07:02,370 --> 00:07:04,337 BUT I STILL DON'T SEE HOW YOU KNEW 117 00:07:04,337 --> 00:07:05,836 WHAT I WAS THINKING ABOUT. 118 00:07:05,836 --> 00:07:06,969 OH, THAT'S EASY. 119 00:07:06,969 --> 00:07:08,935 WHILE YOU WERE STANDING THERE 120 00:07:08,935 --> 00:07:11,601 NOT KNOWING WHAT TO DO THE NOTE, 121 00:07:11,601 --> 00:07:12,967 THERE WAS A BIG BLUEBOTTLE FLY 122 00:07:12,967 --> 00:07:14,468 BUZZING AGAINST THE WINDOWPANE. 123 00:07:14,468 --> 00:07:17,500 AND EVERYBODY IN THE CLASSROOM WAS VERY QUIET 124 00:07:17,500 --> 00:07:18,765 WAITING TO SEE WHAT YOU WOULD DO. 125 00:07:18,765 --> 00:07:21,265 SO THE ONLY NOISE WAS THE BUZZING OF THE FLY. 126 00:07:21,265 --> 00:07:23,098 SO WHEN THAT FLY UP THERE BEGAN TO BUZZ, 127 00:07:23,098 --> 00:07:25,996 WHY, BOTH OF US THOUGHT ABOUT THE NOTE. 128 00:07:25,996 --> 00:07:27,863 THAT'S WONDERFUL, CHRIS. 129 00:07:27,863 --> 00:07:30,262 THAT'S WONDERFUL. 130 00:07:31,162 --> 00:07:32,828 WHAT DOES IT MEAN WHEN TWO PEOPLE 131 00:07:32,828 --> 00:07:34,195 THINK ABOUT THE SAME THINGS? 132 00:07:34,195 --> 00:07:37,726 JUST MEANS THEY'RE IN LOVE, I GUESS. 133 00:07:40,059 --> 00:07:41,059 CHRIS? 134 00:07:41,059 --> 00:07:41,891 YEAH? 135 00:07:41,891 --> 00:07:42,991 WHAT DID YOU SAY IN THAT NOTE? 136 00:07:42,991 --> 00:07:45,590 YOU KNOW, I NEVER G***T A CHANCE TO READ IT. 137 00:07:45,590 --> 00:07:46,857 YOU'LL NEVER KNOW, BABY. 138 00:07:46,857 --> 00:07:48,324 YOU'LL NEVER KNOW. 139 00:07:48,324 --> 00:07:50,256 AW, CHRIS, PLEASE. 140 00:07:50,256 --> 00:07:51,457 NO. 141 00:07:51,457 --> 00:07:53,621 WHY NOT? 142 00:07:53,621 --> 00:07:55,221 BECAUSE I DON'T REMEMBER. 143 00:07:55,221 --> 00:07:56,488 YOU DO, TOO. 144 00:07:56,488 --> 00:07:57,421 OK, I DO. 145 00:07:57,421 --> 00:07:58,719 I REMEMBER EVERY WORD OF IT. 146 00:07:58,719 --> 00:08:01,220 WELL, THEN WHY WON'T YOU TELL ME? 147 00:08:01,220 --> 00:08:03,718 BECAUSE IT WAS SO SAPPY. 148 00:08:03,718 --> 00:08:06,218 AND BESIDES, YOU'VE G***T ENOUGH ON ME ALREADY. 149 00:08:06,218 --> 00:08:08,484 COME ON. WE'D BETTER GET OUT OF HERE, 150 00:08:08,484 --> 00:08:11,417 OR I'M GOING TO BE A.W.O.L. 151 00:08:21,979 --> 00:08:24,113 OH, HERE. 152 00:08:25,212 --> 00:08:27,512 WELL, WE DIDN'T GET HERE ANY TOO SOON, DID WE? 153 00:08:27,512 --> 00:08:29,144 OH, CHRIS, I'M SCARED. 154 00:08:29,144 --> 00:08:31,976 OH, THAT'S SILLY, JO, GIRL. 155 00:08:31,976 --> 00:08:33,544 NOTHING'S GOING TO HAPPEN. 156 00:08:33,544 --> 00:08:35,309 I KNOW, BUT YOU'RE GOING OVERSEAS, 157 00:08:35,309 --> 00:08:38,542 AND I DON'T EVEN KNOW WHERE YOU'RE GOING. 158 00:08:38,542 --> 00:08:39,674 NOTHING'S GOING TO HAPPEN. 159 00:08:39,674 --> 00:08:41,841 YOU FIGURE OUT THE PERCENTAGES SOMEDAY 160 00:08:41,841 --> 00:08:43,907 WHEN YOU G***T A LITTLE EXTRA TIME-- 161 00:08:43,907 --> 00:08:46,139 THEY'RE ALL IN MY FAVOR. 162 00:08:46,139 --> 00:08:47,273 I KNOW. 163 00:08:47,273 --> 00:08:50,072 BUT HOLY MACKEREL, I'M SURE GOING TO MISS YOU. 164 00:08:50,072 --> 00:08:51,072 I KNOW, JO, 165 00:08:51,072 --> 00:08:52,371 BUT THAT'S NOT THE THING TO THINK ABOUT. 166 00:08:52,371 --> 00:08:56,036 YOU JUST THINK HOW IT'S GOING TO BE WHEN I COME HOME. 167 00:08:56,036 --> 00:08:58,103 THERE'LL BE A TRAIN JUST LIKE THIS ONE, 168...