The.Brutal.Hopelessness.Of.Love.2007 Movie Subtitles

1 00:00:00,233 --> 00:00:05,637 ATAKASHI ISHII FILM 2 00:00:50,750 --> 00:00:54,413 You OK? They sold you? 3 00:01:09,102 --> 00:01:10,660 Stubborn bitch! 4 00:01:11,071 --> 00:01:12,470 Make her sing! 5 00:01:12,839 --> 00:01:13,533 Go to hell! 6 00:01:28,655 --> 00:01:30,680 Watch out. 7 00:01:31,825 --> 00:01:32,450 Ow! 8 00:01:32,926 --> 00:01:33,893 Dumb a***s! 9 00:02:44,030 --> 00:02:48,091 MAI KITAJIMA 10 00:02:49,802 --> 00:02:54,171 KANJI TSUDA 11 00:02:55,575 --> 00:03:00,239 TOSHIYUKI NAGASHIMA 12 00:03:01,814 --> 00:03:06,217 MIKAGE YOZABURO ITO 13 00:03:07,754 --> 00:03:12,054 and NAOTO TAKENAKA 14 00:03:17,830 --> 00:03:21,994 THE BRUTAL HOPELESSNESS OF LOVE 15 00:03:24,571 --> 00:03:26,038 Who are you? 16 00:03:31,578 --> 00:03:33,375 Nami has arrived. 17 00:03:33,746 --> 00:03:35,111 Nami is here. 18 00:03:35,715 --> 00:03:37,148 Is my hair OK? 19 00:03:37,550 --> 00:03:38,517 It's sticking out. 20 00:03:39,118 --> 00:03:41,177 Hold on. Mirror. 21 00:03:41,654 --> 00:03:42,643 Thanks. 22 00:03:42,956 --> 00:03:44,116 Right here. Great. 23 00:03:46,292 --> 00:03:47,350 Thanks. 24 00:03:49,929 --> 00:03:52,955 Where's Okano? 25 00:03:53,333 --> 00:03:54,595 I don't know. 26 00:03:54,834 --> 00:03:55,664 What room? 27 00:03:56,102 --> 00:03:59,629 He's waiting in the control room. 28 00:04:02,141 --> 00:04:03,130 Where is it? 29 00:04:03,343 --> 00:04:04,469 In here. 30 00:04:08,147 --> 00:04:09,239 In here. 31 00:04:16,389 --> 00:04:18,448 What scene is next? 32 00:04:18,825 --> 00:04:21,988 In two hours we'll do the escape. 33 00:04:22,462 --> 00:04:24,930 I'll come get you then. 34 00:04:46,019 --> 00:04:46,917 Come in. 35 00:04:50,523 --> 00:04:51,421 Sorry. 36 00:04:55,228 --> 00:04:57,219 Is this room OK? 37 00:04:58,464 --> 00:05:00,898 It's not really for interviews. 38 00:05:01,067 --> 00:05:01,999 It's fine. 39 00:05:02,902 --> 00:05:03,960 Please. 40 00:05:07,206 --> 00:05:09,970 Sorry to do this while you're filming. 41 00:05:10,243 --> 00:05:11,972 Please. 42 00:05:14,614 --> 00:05:16,172 No problem. 43 00:05:18,251 --> 00:05:19,149 No photos? 44 00:05:19,419 --> 00:05:22,684 We'll take some video this time. 45 00:05:24,257 --> 00:05:25,121 OK. 46 00:05:30,296 --> 00:05:31,194 Here we go. 47 00:05:35,601 --> 00:05:36,397 OK. 48 00:05:40,206 --> 00:05:44,370 Again, I'm Editor Katsuragi. 49 00:05:45,178 --> 00:05:49,239 Let's continue with the interview. 50 00:05:49,882 --> 00:05:50,814 OK. 51 00:05:55,488 --> 00:05:59,584 Last time we covered your debut at 15, 52 00:05:59,892 --> 00:06:03,350 your popularity as a young singer, 53 00:06:03,663 --> 00:06:07,429 and your acting career. 54 00:06:08,101 --> 00:06:13,403 At 24, you married an actor 15 years older. 55 00:06:13,740 --> 00:06:15,037 Yosuke Tsuchiya. 56 00:06:15,641 --> 00:06:18,701 A young actress like you... 57 00:06:18,978 --> 00:06:23,312 marrying a seasoned actor caused... 58 00:06:23,649 --> 00:06:25,617 a media stir. 59 00:06:26,085 --> 00:06:29,919 That's about where we left off. 60 00:06:30,490 --> 00:06:31,479 Yes. 61 00:06:32,825 --> 00:06:39,754 A major star speaking to me openly about her life, 62 00:06:40,099 --> 00:06:45,969 and sharing her personal sexual experiences... 63 00:06:46,305 --> 00:06:49,672 has made me a hero at my company. 64 00:06:49,942 --> 00:06:50,874 I'm embarrassed. 65 00:06:51,244 --> 00:06:52,575 It's OK. 66 00:06:52,979 --> 00:06:55,072 The movie you are shooting today, 67 00:06:55,381 --> 00:07:00,114 what is it about? 68 00:07:00,887 --> 00:07:02,081 Alright. 69 00:07:03,790 --> 00:07:04,654 Go ahead. 70 00:07:07,660 --> 00:07:09,958 It's about an actress. 71 00:07:10,430 --> 00:07:12,660 It's called "Left Alone." 72 00:07:13,633 --> 00:07:14,930 "Left Alone." 73 00:07:15,668 --> 00:07:21,800 An actress believes she's living in a movie. 74 00:07:22,275 --> 00:07:23,333 Hm? 75 00:07:24,544 --> 00:07:27,741 You told me the other day. 76 00:07:28,014 --> 00:07:34,647 Right. The actress thinks reality is a series of movies. 77 00:07:34,954 --> 00:07:37,684 But I'm not playing her now. 78 00:07:39,091 --> 00:07:42,288 I'm doing a story about 79 00:07:42,595 --> 00:07:44,790 an actor couple who break up. 80 00:07:45,064 --> 00:07:48,090 I play a woman named "Kyoko." 81 00:07:49,535 --> 00:07:52,834 And the action scene? 82 00:07:53,039 --> 00:07:56,531 That was from "Blackbird." 83 00:07:57,977 --> 00:08:01,435 So within the movie "Left Alone"... 84 00:08:01,781 --> 00:08:05,114 is the movie "Blackbird." 85 00:08:05,384 --> 00:08:09,320 The scene shows Kyoko acting. 86 00:08:18,231 --> 00:08:20,222 And "What's Going On"? 87 00:08:20,933 --> 00:08:22,628 "What's Going On"? 88 00:08:23,970 --> 00:08:27,497 Oh, that's an erotic piece at the end. 89 00:08:29,642 --> 00:08:33,601 So there are two movies within the movie? 90 00:08:33,813 --> 00:08:36,247 Yes, as films being shot. 91 00:08:37,917 --> 00:08:41,944 And the story of the actress... 92 00:08:42,221 --> 00:08:44,246 Yes, "Left Alone." 93 00:08:45,157 --> 00:08:49,526 Your husband is playing the role of your husband 94 00:08:49,862 --> 00:08:52,695 Quite a hot topic. 95 00:08:53,065 --> 00:08:56,125 They say we're a happy couple, 96 00:08:56,569 --> 00:09:00,938 but my husband cheats, and we often separate. 97 00:09:01,274 --> 00:09:05,301 It happens a lot, right? 98 00:09:06,646 --> 00:09:08,375 Why is that? 99 00:09:08,714 --> 00:09:14,209 We hardly have time to meet. 100 00:09:14,921 --> 00:09:18,550 When we g***t married, my husband said, 101 00:09:18,824 --> 00:09:22,225 "Go ahead and continue your work. You only live once." 102 00:09:22,662 --> 00:09:25,631 "I'll support you." 103 00:09:28,200 --> 00:09:30,430 He was understanding. 104 00:09:33,205 --> 00:09:36,766 Please continue from there. 105 00:09:38,878 --> 00:09:43,872 One reason I accepted this interview is to... 106 00:09:44,383 --> 00:09:48,843 talk about the issue of male chauvinism. 107 00:09:49,255 --> 00:09:54,192 It is now referred to as 108 00:09:54,560 --> 00:09:59,395 "domestic violence," 109 00:09:59,865 --> 00:10:02,800 and men still have violent tendencies toward women. 110 00:10:03,102 --> 00:10:09,905 This includes verbal abuse and sexual acts like infidelity. 111 00:10:10,343 --> 00:10:12,903 I feel that it has gotten worse. 112 00:10:13,813 --> 00:10:15,246 Indeed. 113 00:10:17,450 --> 00:10:24,083 One expression of an escape from this... 114 00:10:25,391 --> 00:10:32,923 is the embattled main character, whose name is Kyoko. 115 00:10:33,633 --> 00:10:35,032 You mentioned. 116 00:10:35,768 --> 00:10:37,736 It's seen in her actions. 117 00:10:39,438 --> 00:10:40,735 What actions? 118 00:10:41,273 --> 00:10:43,833 Kyoko has nowhere to go. 119 00:10:44,877 --> 00:10:52,249 In search of freedom, she opens a door to discover a new place. 120 00:10:52,885 --> 00:10:57,117 She finds not an actress, but another self. 121 00:10:58,591 --> 00:11:01,788 She changes into her true self. 122 00:11:02,628 --> 00:11:07,531 It's the story of the true side of an actress. 123 00:11:09,168 --> 00:11:10,658 True side? 124 00:11:11,170 --> 00:11:17,234 Yes. In her crisis, it's not an eye for an eye. 125 00:11:17,576 --> 00:11:22,809 She doesn't have loveless s***x with countless men. 126 00:11:23,282 --> 00:11:24,874 That doesn't happen. 127 00:11:25,317 --> 00:11:26,875 It's the opposite. 128 00:11:27,186 --> 00:11:28,118 Meaning... 129 00:11:30,122 --> 00:11:33,523 I'll explain using the script. 130 00:11:39,999 --> 00:11:41,330 Okano? 131 00:11:42,034 --> 00:11:43,126 Okano? 132 00:11:46,605 --> 00:11:51,235 Sorry. The manager has the script. 133 00:11:51,777 --> 00:11:53,836 He knew the time... 134 00:11:55,548 --> 00:12:00,576 He just called and said he had something urgent. 135 00:12:01,020 --> 00:12:02,351 Urgent? 136 00:12:03,622 --> 00:12:05,249 I wonder what. 137 00:12:06,992 --> 00:12:11,691 I've had a chance to read the other scripts. 138 00:12:12,398 --> 00:12:14,628 "What's Going On" and "Blackbird." 139 00:12:20,539 --> 00:12:25,067 There's a lot of narration in the movie. 140 00:12:25,444 --> 00:12:30,575 I think you'd understand it better if... 141 00:12:31,217 --> 00:12:35,210 I explain it to you as you visualize. 142 00:12:35,921 --> 00:12:36,945 Alright. 143 00:12:40,726 --> 00:12:44,856 I play the main character Kyoko. 144 00:12:45,164 --> 00:12:50,727 My husband plays her husband Fujikura. 145 00:12:51,103 --> 00:12:56,439 His lover Ryoko is played by Junko Kotani. 146 00:12:56,675 --> 00:13:00,941 In this scene, Fujikura is in bed with his lover... 147 00:13:01,313 --> 00:13:07,843 while Kyoko is out filming on location. 148 00:13:10,589 --> 00:13:17,791 Kyoko suspected her husband of having an affair with Ryoko, 149 00:13:18,297 --> 00:13:25,396 and when she happened to see an e-mail Ryoko had sent him, 150 00:13:25,638 --> 00:13:28,402 she was almost certain of it. 151 00:13:28,707 --> 00:13:32,165 It was evening, and Kyoko was out filming on location. 152 00:13:32,611 --> 00:13:36,308 Kyoko enters from the garage, holding her bag. 153 00:13:36,982 --> 00:13:41,385 She has removed her shoes, and steps quietly. 154 00:13:42,154 --> 00:13:47,319 She looks around....