Hell.Motel.S01E08.Grand.Guignol.1080p.AMZN.WEB-DL.DDP5.1.H.264-RAWR_track3_[eng] Movie Subtitles

1 00:00:31,965 --> 00:00:33,965 Aah! 2 00:00:42,206 --> 00:00:44,137 Sorry. Can we cut? 3 00:00:44,379 --> 00:00:45,343 Can we cut? 4 00:00:45,344 --> 00:00:47,481 Cut! 5 00:00:47,482 --> 00:00:49,723 Hey! Hey. Hey, Paige. 6 00:00:49,724 --> 00:00:51,274 Hey, are you okay? You okay? - Yeah. 7 00:00:51,275 --> 00:00:53,136 Oh, man, I thought this might be too triggering. 8 00:00:53,137 --> 00:00:54,792 If you need time, you just say the word, I-- 9 00:00:54,793 --> 00:00:56,862 No, no. I'm fine. Really. 10 00:00:56,965 --> 00:01:00,067 - Are you sure? - Yeah. No, not right now, please. Thank you. 11 00:01:00,068 --> 00:01:03,586 Then what is it? Tell me anything. 12 00:01:03,689 --> 00:01:06,275 I guess I just don't fully understand 13 00:01:06,379 --> 00:01:08,931 why Caitlin is standing here waiting to die. 14 00:01:09,034 --> 00:01:12,379 Okay, okay, but she doesn't die. 15 00:01:12,482 --> 00:01:13,757 She doesn't die, right? 16 00:01:13,758 --> 00:01:15,896 Uh, Emma jumps out at the last second, 17 00:01:16,000 --> 00:01:18,757 distracting Baphomet and-- - Right. That's my point. 18 00:01:18,758 --> 00:01:19,964 Caitlin doesn't save herself here. 19 00:01:19,965 --> 00:01:21,723 Caitlin always saves herself. 20 00:01:21,724 --> 00:01:23,309 And after what I've been through, 21 00:01:23,310 --> 00:01:25,136 the last thing I would do in her situation 22 00:01:25,137 --> 00:01:27,896 is wait for someone else to save me. 23 00:01:31,241 --> 00:01:34,343 Someone get those writers on set to fix this mess! 24 00:01:34,344 --> 00:01:37,103 Of course Caitlin should be saving herself. Duh. 25 00:01:37,206 --> 00:01:39,379 Thank you. This is why you're the queen. 26 00:01:39,827 --> 00:01:41,862 - Thank you. -Thank you. 27 00:01:53,000 --> 00:01:54,793 What? 28 00:01:55,689 --> 00:01:58,103 It's a reboot. There's no rules. 29 00:01:58,206 --> 00:02:00,275 And you're not the star of it all. 30 00:02:00,655 --> 00:02:02,274 You sure about that? 31 00:02:02,275 --> 00:02:03,964 It's not gonna be a problem. The line comes right here. 32 00:02:03,965 --> 00:02:05,586 No, leave that out. This is what we're doing. 33 00:02:05,689 --> 00:02:07,275 Hey, and do me a favor, okay? 34 00:02:07,379 --> 00:02:09,344 On the next take, why don't you give me something to work with? 35 00:02:10,620 --> 00:02:12,723 Hold it... 36 00:02:12,724 --> 00:02:14,482 ...like you could actually kill someone. 37 00:02:16,275 --> 00:02:19,517 Thank you. Can't wait to do it again. 38 00:02:28,275 --> 00:02:30,930 - "Emma, stay back." - "Caitlin, I can take him." 39 00:02:30,931 --> 00:02:32,655 "And then he'll take you. 40 00:02:32,758 --> 00:02:34,758 I've danced this dance more times than I care to remember." 41 00:02:36,137 --> 00:02:39,482 Sorry, I-- I'm not shitting on the writers. 42 00:02:39,586 --> 00:02:40,896 No, s***t on them. They're garbage. 43 00:02:41,000 --> 00:02:43,137 Studio scraped the bottom of the barrel. 44 00:02:43,241 --> 00:02:47,206 Okay, "I've danced this dance?" Who actually talks like that? 45 00:02:47,310 --> 00:02:50,724 Just a corny white guy who's over 50, apparently. 46 00:02:50,827 --> 00:02:54,379 Exactly. So can we simplify it? 47 00:02:54,482 --> 00:02:55,862 - Yeah. - Like-- 48 00:02:56,586 --> 00:03:00,965 Okay, what if she says, "And then he'll take you. 49 00:03:01,068 --> 00:03:02,550 Trust me, Emma, I know what I'm doing." 50 00:03:02,551 --> 00:03:03,965 - Mm-hm. - Right? 51 00:03:04,068 --> 00:03:05,965 Yeah. No, that's a million times better. 52 00:03:06,068 --> 00:03:07,447 - Straight to the point. - Right? 53 00:03:07,448 --> 00:03:08,931 'Cause, I mean, that's what it's actually like 54 00:03:09,034 --> 00:03:10,275 when your life is on the line. 55 00:03:11,551 --> 00:03:13,964 Sorry. If-- if I'm being a diva, expecting rewrites-- 56 00:03:13,965 --> 00:03:15,620 - Oh my God, no, no. - I don't wanna be a problem. 57 00:03:15,724 --> 00:03:16,965 - Not at all. No. - Okay. 58 00:03:17,068 --> 00:03:18,619 No, no, we are so lucky to have you. 59 00:03:18,620 --> 00:03:20,103 No, I just-- 60 00:03:23,068 --> 00:03:26,724 I wanted to respect your privacy, 61 00:03:26,827 --> 00:03:31,103 but we can actually make this mean something. 62 00:03:31,206 --> 00:03:32,896 Okay? Because you have first hand knowledge 63 00:03:33,000 --> 00:03:36,103 of what it's really like, that fear, that panic, 64 00:03:36,206 --> 00:03:38,861 that real life hell. You can mine things 65 00:03:38,862 --> 00:03:41,103 every other slasher pretendsto get. 66 00:03:41,206 --> 00:03:43,379 So, no, I needto hear your thoughts. 67 00:03:46,551 --> 00:03:49,724 I'm sorry. I should not have asked you to go into that. 68 00:03:49,827 --> 00:03:51,827 No, no, it's not that, it's not-- 69 00:03:54,103 --> 00:03:55,826 I've just never had a director make me feel 70 00:03:55,827 --> 00:03:58,068 like an equal before. - Oh. 71 00:03:58,172 --> 00:03:58,896 And-- 72 00:03:59,000 --> 00:04:00,551 and not just a pretty face 73 00:04:00,655 --> 00:04:02,068 and a pair of t***s, you know? 74 00:04:02,172 --> 00:04:04,206 Well, that's a crime. I've always been a fan. 75 00:04:04,310 --> 00:04:06,689 I pitched you for the reboot from day one. 76 00:04:06,793 --> 00:04:09,067 Okay? - Wow. Well... 77 00:04:09,068 --> 00:04:10,896 Guess all it took for them to say yes 78 00:04:11,000 --> 00:04:13,896 was for me to become a final girl for real. 79 00:04:14,793 --> 00:04:16,000 These just arrived for you, Paige. 80 00:04:16,103 --> 00:04:17,585 - Oh! - Thank you so much. 81 00:04:17,586 --> 00:04:19,965 These are beautiful. 82 00:04:20,068 --> 00:04:20,999 - Yeah. - Did you...? 83 00:04:21,000 --> 00:04:22,448 No, I didn't. 84 00:04:24,448 --> 00:04:26,826 "Saw the news. Break a leg, but not really. 85 00:04:26,827 --> 00:04:30,172 You've g***t enough scars already. Andy." 86 00:04:30,275 --> 00:04:33,964 Andy. From...? 87 00:04:33,965 --> 00:04:36,275 Okay, Andy! 88 00:04:36,379 --> 00:04:38,896 - Very sweet of him. - Mm-hm! 89 00:04:44,965 --> 00:04:48,137 So, you can trace a straight line 90 00:04:48,241 --> 00:04:50,517 from the comedies of Euripides 91 00:04:50,620 --> 00:04:54,689 right up to the slapstick of Chaplin, Keaton, and Arbuckle. 92 00:04:54,931 --> 00:04:57,103 But-- where is it now? 93 00:04:57,206 --> 00:04:58,827 It's, uh, changed genres. 94 00:04:58,931 --> 00:05:01,310 Action movies, for sure. 95 00:05:01,620 --> 00:05:03,136 I like this. Tell me how. 96 00:05:03,137 --> 00:05:04,585 Well it's all violence, right? 97 00:05:04,586 --> 00:05:07,310 Like comedians, just guys hitting each other. 98 00:05:07,655 --> 00:05:09,688 Hmm. Yeah. And in the silents, they-- 99 00:05:09,689 --> 00:05:11,448 They crank it up. 100 00:05:11,551 --> 00:05:14,965 Chaplin stabbing people with, like, the nastiest pitchforks 101 00:05:15,068 --> 00:05:16,620 and following it up with one liners 102 00:05:16,724 --> 00:05:19,378 like action heroes do. 103 00:05:19,379 --> 00:05:21,482 Good. Great lateral thinking. 104 00:05:21,793 --> 00:05:23,413 And then we get to horror. 105 00:05:24,172 --> 00:05:26,000 - You're cri de coeur. - Yeah. 106 00:05:26,103 --> 00:05:29,723 But, like, the final girls say the same thing 107 00:05:29,724 --> 00:05:31,241 when they kill the masked killer 108 00:05:31,344 --> 00:05:32,827 or when the dickhead gets taken down. 109 00:05:32,931 --> 00:05:34,102 Yes, you've said this all before, 110 00:05:34,103 --> 00:05:36,481 but weare here to talk comedy. 111 00:05:36,482 --> 00:05:41,586 But, Professor, we are here for your horror knowledge, sir. 112 00:05:43,206 --> 00:05:44,517 Well, I'm sure you could all transfer out 113 00:05:44,620 --> 00:05:46,103 if I'm not matching your expectations. 114 00:05:46,206 --> 00:05:48,517 What? You are an expert in horror 115 00:05:48,620 --> 00:05:50,000 in academia and real life. 116 00:05:50,103 --> 00:05:52,310 Why are you pretending like that's not true? 117 00:05:53,206 --> 00:05:54,585 What do you want? Hmm? 118 00:05:54,586 --> 00:05:57,482 - What do you mean? - No, what do you want? Hm? 119 00:05:57,586 --> 00:05:59,274 You obsessive idiot. 120 00:05:59,275 --> 00:06:01,310 What do you want, a goddamn autograph? 121 00:06:01,413 --> 00:06:03,724 What, you want some grisly tidbit to-- 122 00:06:03,827 --> 00:06:05,585 to feed into your death fetish? 123 00:06:05,586 --> 00:06:10,619 Because humanity's saddest and worst instinct excites you? 124 00:06:10,620 --> 00:06:12,137 is that what you want? 125 00:06:15,827 --> 00:06:17,413 Hey, that's mine! 126 00:06:19,241 --> 00:06:20,827 All right. Get out, everyone. 127 00:06:21,344 --> 00:06:22,620 We're done for the day. 128 00:06:23,206 --> 00:06:26,000 I will be speaking to the head of English about this. 129 00:06:28,965 --> 00:06:30,481 A***e. 130 00:06:54,344 --> 00:06:56,724 Hi, Andy. Come in. 131 00:06:56,827 --> 00:07:00,103 - For the hostess. - Thank you so much. 132 00:07:01,310 --> 00:07:02,757 Can I take your coat? 133 00:07:02,758 --> 00:07:04,275 Uh, sure. Thanks. 134 00:07:07,517 --> 00:07:08,724 - Look, sorry-- - So, listen-- 135 00:07:08,827 --> 00:07:10,206 Sending those flowers was weird. 136 00:07:10,310 --> 00:07:11,655 I know I should have reached out...