John.Williams.The.Berlin.Concert.2022e Movie Subtitles

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1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:07,600 --> 00:00:11,680 # Olympic Fanfare and Theme # 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:04:15,280 --> 00:04:16,320 (SONG ENDS) 5 00:04:16,360 --> 00:04:19,400 (CHEERING AND APPLAUSE) 6 00:04:41,640 --> 00:04:43,000 Thank you very much. 7 00:04:45,440 --> 00:04:47,640 Thank you very much, ladies and gentlemen, 8 00:04:47,680 --> 00:04:51,560 for being with us tonight here in this magnificent hall 9 00:04:51,600 --> 00:04:54,120 which is like a house of magic. 10 00:04:57,240 --> 00:05:00,720 And I want to tell you what a privilege it is for me 11 00:05:00,760 --> 00:05:03,960 to be here with you in this hall 12 00:05:04,000 --> 00:05:07,320 stand in front of perhaps the world's greatest orchestra - 13 00:05:07,360 --> 00:05:09,280 the Berlin Philharmonic. 14 00:05:09,320 --> 00:05:11,960 (CHEERING AND APPLAUSE) 15 00:05:20,880 --> 00:05:24,760 To be standing in front of this orchestra, for any musician, 16 00:05:24,800 --> 00:05:27,600 however humble or great, 17 00:05:27,640 --> 00:05:31,160 to be here with you for these few moments is truly a great honour 18 00:05:31,200 --> 00:05:32,640 and a privilege. 19 00:05:32,680 --> 00:05:36,560 And I'm so grateful for this invitation to be with you. 20 00:05:36,600 --> 00:05:39,640 (APPLAUSE) Thank you. 21 00:05:44,040 --> 00:05:47,200 I have never been to Berlin before, 22 00:05:47,240 --> 00:05:50,320 I've always wanted to visit the city 23 00:05:50,360 --> 00:05:52,640 and it is incredibly beautiful. 24 00:05:54,000 --> 00:05:56,480 And I just give you a couple of impressions: 25 00:05:56,520 --> 00:05:59,720 the weather has been gorgeous, these early-autumn days, 26 00:05:59,760 --> 00:06:00,880 we've had sun. 27 00:06:00,920 --> 00:06:04,560 And driving around the city, we see people on bicycles 28 00:06:04,600 --> 00:06:09,360 and actually walking, in Los Angeles you don't walk. 29 00:06:09,400 --> 00:06:12,640 There are freeways and cars, that's all we have. 30 00:06:12,680 --> 00:06:17,760 And it is- the city is so alive and is present 31 00:06:17,800 --> 00:06:21,200 and you have the great history of the area, 32 00:06:21,240 --> 00:06:23,640 these magnificent buildings and monuments. 33 00:06:23,680 --> 00:06:27,120 And I walked in the Tiergarten and I see all the little children, 34 00:06:27,160 --> 00:06:28,880 gorgeous faces, and I think, 35 00:06:28,920 --> 00:06:32,120 well, the future of this place is going to be fantastic and bright, 36 00:06:32,160 --> 00:06:34,640 if we all do our jobs very well. 37 00:06:34,680 --> 00:06:38,960 It's a fantastic place and I'm very happy and also honoured 38 00:06:39,000 --> 00:06:41,440 just to be here in your midst. 39 00:06:41,480 --> 00:06:42,800 To the music. 40 00:06:43,920 --> 00:06:46,280 Here's a little suite from Far and Away, 41 00:06:46,320 --> 00:06:51,240 which is a film some years ago with Tom Cruise and Nicole Kidman. 42 00:06:51,280 --> 00:06:56,600 You'll here in this little suite an atmospheric theme 43 00:06:56,640 --> 00:07:00,520 that describes the County Galway in the time of 1892, 44 00:07:00,560 --> 00:07:02,720 when the film was staged. 45 00:07:02,760 --> 00:07:06,680 And there's some action music which begins as a, kind of, a dance 46 00:07:06,720 --> 00:07:09,440 which the village fiddler will lead us 47 00:07:09,480 --> 00:07:13,160 and the orchestra will join in all of this a little bit later. 48 00:07:13,200 --> 00:07:15,920 Then of course a love theme for the two young people, 49 00:07:15,960 --> 00:07:17,520 played by Tom and Nicole, 50 00:07:17,560 --> 00:07:21,120 and then finally the Donnybrook. 51 00:07:21,160 --> 00:07:25,280 And the Donnybrook is the comedy fight and when you hear the cellos 52 00:07:25,320 --> 00:07:29,520 and basses rumble over here, with all their notes and strength, 53 00:07:29,560 --> 00:07:31,640 that's the beginning of the Donnybrook. 54 00:07:31,680 --> 00:07:34,160 And here is Far and Away. 55 00:07:34,200 --> 00:07:37,400 (APPLAUSE) 56 00:08:01,560 --> 00:08:04,160 (SOFT MUSIC) 57 00:08:40,080 --> 00:08:44,920 (SOFT VILLAGE DANCE MUSIC) 58 00:10:40,120 --> 00:10:43,240 (LOVE THEME) 59 00:12:28,040 --> 00:12:31,240 (DOONYBROOK MUSIC) 60 00:13:57,120 --> 00:13:59,960 (SOFT DRAMATIC MUSIC) 61 00:15:42,880 --> 00:15:44,720 (SUITE ENDS) 62 00:15:44,760 --> 00:15:48,040 (APPLAUSE) 63 00:16:05,760 --> 00:16:10,880 Harry Potter, I'm happy to find, was as popular in Germany as elsewhere. 64 00:16:10,920 --> 00:16:15,360 These amazing books and movies have been the... 65 00:16:16,520 --> 00:16:19,920 ..greatest British export, since the Beatles. 66 00:16:19,960 --> 00:16:23,360 Which could be true. (APPLAUSE) 67 00:21:38,720 --> 00:21:39,920 (SONG ENDS) 68 00:21:39,960 --> 00:21:42,400 (APPLAUSE) 69 00:21:57,960 --> 00:22:00,600 (APPLAUSE ENDS) 70 00:27:13,040 --> 00:27:16,640 (SONG ENDS) (APPLAUSE) 71 00:33:18,120 --> 00:33:21,360 (SONG ENDS) (APPLAUSE) 72 00:33:45,960 --> 00:33:47,960 Thank you so very much. 73 00:33:48,000 --> 00:33:50,960 Here are three pieces from Indiana Jones. 74 00:33:51,000 --> 00:33:53,440 (CHEERING AND APPLAUSE) 75 00:33:53,480 --> 00:33:59,440 We have- We have already made four Indiana Jones films 76 00:33:59,480 --> 00:34:01,960 and as we speak, in London, 77 00:34:02,000 --> 00:34:06,040 Harrison Ford is now shooting the fifth one. 78 00:34:06,080 --> 00:34:09,880 So I think that's good news. 79 00:34:09,920 --> 00:34:13,720 Because when I leave Berlin, I will go back to Los Angeles 80 00:34:13,760 --> 00:34:16,880 in a few days and begin to write the score for the fifth film. 81 00:34:16,920 --> 00:34:20,200 (CHEERING AND APPLAUSE) 82 00:34:29,240 --> 00:34:30,440 Thank you. 83 00:34:32,800 --> 00:34:35,320 So we have no resting. 84 00:34:37,840 --> 00:34:42,880 The first of the three pieces is Scherzo for motorcycle and orchestra 85 00:34:42,920 --> 00:34:46,400 but you will not see a motorcycle on the stage. 86 00:34:46,440 --> 00:34:50,920 But the title is the poor composer's feeling, I'll explain to you. 87 00:34:50,960 --> 00:34:54,560 This is a scene in the movie with Sean Connery and Harrison Ford 88 00:34:54,600 --> 00:34:59,240 and they're on a motorcycle and they're being chased by the bad guys 89 00:34:59,280 --> 00:35:03,040 and the piece you're about to hear is the piece that I wrote 90 00:35:03,080 --> 00:35:05,360 for the choreography of that chase. 91 00:35:05,400 --> 00:35:06,800 And then a few months later, 92 00:35:06,840 --> 00:35:09,200 I went into the movie theatre to watch the film 93 00:35:09,240 --> 00:35:12,680 and the motorcycle chase came along and all I heard were motorcycles, 94 00:35:12,720 --> 00:35:14,760 I didn't hear the orchestra at all. 95 00:35:14,800 --> 00:35:19,000 You can image the composer's bruised vanity. 96 00:35:20,560 --> 00:35:24,360 So it's a treat for me to play it for you with this orchestra 97 00:35:24,400 --> 00:35:27,400 without the distraction of the film. (LAUGHTER) 98 00:35:27,440 --> 00:35:30,160 And the noise of the motorcycle. 99 00:35:30,200 --> 00:35:32,600 And that's followed by Marion's theme, 100 00:35:32,640 --> 00:35:34,680 Karen Allen, do you remember in the first film. 101 00:35:34,720 --> 00:35:37,120 It was so great, and the action sequences, 102 00:35:37,160 --> 00:35:40,680 as well as comedy. And then finally Raider's March. 103 00:35:40,720 --> 00:35:43,920 (APPLAUSE) 104 00:39:23,640 --> 00:39:26,720 (SONG ENDS) (APPLAUSE) 105 00:43:55,960 --> 00:43:59,520 (SONG ENDS) (APPLAUSE) 106 00:50:03,880 --> 00:50:06,920 (SONG ENDS) (APPLAUSE) 107 00:50:41,000 --> 00:50:45,400 Thank you, ladies and gentlemen. Next is a piece called Elergy. 108 00:50:45,440 --> 00:50:48,080 And it will feature our cellist, your cellist, 109 00:50:48,120 --> 00:50:49,920 Bruno Delepelaire. 110 00:50:52,560 --> 00:50:57,240 And I ** delighted to have him do this piece for me. 111 00:50:57,280 --> 00:51:01,000 I wrote it a number of years ago for two lost children, 112 00:51:01,040 --> 00:51:06,720 and Elegy, a you know, is a- Well it can be a wish or a prayer 113 00:51:06,760 --> 00:51:10,800 for condolences and the like. 114 00:51:10,840 --> 00:51:14,720 To assuage the grief of people who have lost. 115 00:51:14,760 --> 00:51:16,920 But it can be other things. 116 00:51:16,960 --> 00:51:22,840 It can be a wish and a prayer for wholeness and forgiveness. 117 00:51:24,280 --> 00:51:27,680 These emotions, of all the instruments we have, 118 00:51:27,720 --> 00:51:30,440 are often best expressed by the cello, I think, 119 00:51:30,480 --> 00:51:33,520 I love the instrument and I've written for it every time 120 00:51:33,560 --> 00:51:36,080 I've had an opportunity to do it because I love the instrument 121 00:51:36,120 --> 00:51:38,040 so very much. 122 00:51:38,080 --> 00:51:42,320 And I hope you enjoy it. Elegy. 123 00:51:42,360 --> 00:51:46,040 (APPLAUSE) 124 00:59:33,880 --> 00:59:37,760 (SONG ENDS) (APPLAUSE) 125 01:00:20,720 --> 01:00:26,120 Here are three pieces from the Star Wars collection. 126 01:00:26,160 --> 01:00:28,040 (CHEERING AND APPLAUSE) 127 01:00:31,160 --> 01:00:35,800 The first on is an Adventures of Han scene, a very active piece 128 01:00:35,840 --> 01:00:37,080 for the orchestra. 129 01:00:37,120 --> 01:00:41,000 Second piece is Yoda's theme, which goes way back. 130 01:00:41,040 --> 01:00:44,560 And thirdly the processional and finale of the first film, 131 01:00:44,600 --> 01:00:49,640 we have the processional in the throne room which you may remember 132 01:00:49,680 --> 01:00:52,120 and then the end credits of Star Wars. 133 01:00:52,160 --> 01:00:56,160 So here's Adventures of Han, Yoda's theme, 134 01:00:56,200 --> 01:00:59,240 and the finale to the first Star Wars film. 135 01:00:59,280 --> 01:01:01,520 (APPLAUSE) 136...
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